More impossible times lately, but trying to use the few OK minutes to work on the card. I missed pages. I only did two in all of 2023 (the previous card). Here’s to more than two in the new year, and I hope you’re all having a nice quiet time until then —
Done during one of my more uphill times, but I was happy to be able to do a cover for Ben Stenbeck’s creator-owned book. And since it’s for another artist, I allowed myself to do it almost how I’d do it for myself.
Sometimes a cover is best as a simple picture of the person standing there, or a dynamic action shot. Other times, a completely different approach works out better and leads to more interesting places. Here’s a case of the latter working out better. How didI end up with these circles?
I had a few directions for this one, from the maximalist “just put everything in there” to a 3D one (using the model I made sometime in the middle of issue four of Skulldigger and Skeleton Boy and then promptly forgot to actually use for reference for the rest of the book.)
The other day I got really fed up again with only posting covers, them being the only new material to put up here.
I had this sketch around which seemed like an easy candidate to finish and make into a stand-alone picture: just two guys and a robot. You know, the sort of thing people post. Free-floating art on the internet. “Warmup” drawings. What ifs. Ads for more substantial things that don’t exist and probably never will.
I didn’t need it to mean anything, I didn’t even need to particularly like it. Just something small and sort of finished and new to put up1, a throwaway image.
The second hardcover omnibus volume is out now, collecting the last (and best) volume I did with John Arcudi, Pirate’s Ghost and Metal Monsters of Midtown, as well as the first book, The Iron Prometheus by Jason Armstrong and Mignola, and short stories that were originally collected in the fifth paperback, A Chain Forged in Life. Roughly 470 pages of Lobster.